| Scarf and Hat |
| The Wheelie Bin |
| The Return of Scarfwearer |
| The Three Scarfwearers |
| Scarfwearer and the Daleks |
| Invisible Scarfwearer |
| An Unearthly Scarf |
It's made entirely on a small digital still camera that was able to take 30 second video clips, which I edited and strung together.
Read below for The Making of Scarfwearer and the Daleks, which describes the props that I made for the film.
If you want to save a copy you can right-click on one of the files listed below:
Enjoy!
| Title | Format | Size (MB) |
| Scarfwearer and the Daleks | MPEG 1 | 112 |
| Scarfwearer and the Daleks | WMV | 28 |
In contrast to my prior efforts, I built a lot of props and sets specially for this movie.
I didn't want to spend too much money on it though, so I reused whatever I could, and ended up using a lot of scrap material and actually doing it for very little.
I'd previously built the daleks with the same colour scheme specifically so I could do some coherent (and at that point unplanned) filming with them.
The film itself makes many references to Doctor Who, and particularly to the dalek stories. I also reused a few sound effects, though a great many of the sound effects were produced using household objects and found sounds of various sorts. In fact most of the (hundreds of) sounds you hear in the movie were added during post production.
So here are some of the props I made:
I built a model of the dematerialization circuit that appeared in several of the third doctor's stories, (notably The Terror of the Autons, Day of the Daleks and the Three Doctors). The core is a wooden ball from a craft store, with four pieces of dowel. There are short sections of copper pipe and some disks made from MDF, held on with short carriage bolts. The springs are copper wire which I wound around a rod, with craft beads strung on wires between them. It's not bad, and was an acceptable prop for distance use. I actually made this a few years ago, and was finally able to use it in this movie.
The rest of it is made with hardboard disks glued together in stacks.
The dalek bombs were made with polystyrene balls and cylinders of card. The card was stapled to wooden separator blocks. They were held onto the daleks with strips of card which tucked behind the slats in front of the mesh. I found that they tended to wobble, so I laced them all up with fishing line, which is invisible to the video camera at the resolution I was using, even close up.
I routered around the edge of a piece of wood and cut some pieces of metal sheet with metal scissors to make the W-shaped contacts. I sprayed the wood with brown paint, rather than go through the elaborate process of wood-staining. I sprayed the metal parts with primer and gold paint and then lightly sprayed them with matt black paint to simulate electrical burn marks, and also to dull down the rather bright gold paint. The handle is from a paint roller and the terminals that Scarfwearer attaches the jump leads to are screw tops from tubes of food paste. The notice is spray-painted weathering over laser printed paper.
The door control seen in the DARDIS was a polystyrene torus from the craft store which I sandwiched with hardboard disks, and painted silver.
The cardboard cutout dalek is a couple of pieces of left-over foam-core with 35 sheets of paper glued to it. I took a picture of one of the daleks and printed it large using MS Publisher.
The dalek doorway (there was only one!) was a couple of adapted flats. The door was just a piece of wallboard painted silver that I either screwed to the back or tipped on its corner when opening the door. It was never pivoted or hinged. It was also only ever one-sided: it shots where it's used, I just turned it around.
The console was fairly straightforward. I noticed that the original in Dalek Masterplan appeared to have been held together with silver tape, so I used duct tape to hold the sloping panels together on mine. I borrowed the cover from my fourth doctor console for this. The tubes in the middle were cut on a table saw from the core of a roll of carpet.
I had to cover the tiled floor in the workshop with four sheets of primer painted hardboard. At times in the movie you can see the seams.